Rembrandt, Holy Family With a Curtain Rod Analysis

The Holy Family with Angels

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The Holy Family with Angels
Harmensz van Rijn Rembrandt - Sviatoe semeistvo - Google Art Project.jpg
Artist Rembrandt OOjs UI icon edit-ltr-progressive.svg
Year 1645
Medium oil pigment
Dimensions 117cm (46in) × 91cm (36in)
Location Hermitage Museum
Identifiers RKDimages ID: 31208

The Holy Family unit with Angels (1645) is an oil painting on canvas by the Dutch landscape painter Rembrandt. It is an instance of Dutch Golden Age painting and is now in the collection of the Hermitage Museum.

  • Description
  • Unusual portrayal in domicile setting
  • References

Description

This painting was documented by Hofstede de Groot in 1915, who wrote; "94. THE HOLY FAMILY WITH THE ANGELS. Sm. 72.; Bode 321; Dutuit 59; Wb. 391; B.-HdG. 251. In the foreground of Joseph's carpenter's workshop, the Virgin Mary sits on a depression chair, holding a large open up book on her left arm. She rests her left foot on a pes-warmer and leans over to the left to draw the dark-green curtain of the cradle in which the Child lies asleep under a red fur-lined coverlet. Mary wears a deep red gown and nighttime blue brim, and a white kerchief and cap. Behind her in half-shadow, Joseph, in a brown working-wearing apparel, is shaping a yoke with his axe. From to a higher place to the left kid-angels flutter down, throwing a bright light on the Virgin and the cradle. Full-length figures, nearly half life-size. Signed on the left at foot, "Rembrandt f. 1645 "; canvas, 46 1/2 inches by 36 inches. An old re-create without the angels was in the possession of an English dealer in 1899, and afterwards in the possession of a New York dealer. Another copy without the angels was in the sale: --London, June 7, 1912, No. 23 (£15: 15s.). A pen-drawing for the picture is in the collection of Leon Bonnat, Paris; reproduced past Lippmann-Hofstede de Groot, No. 20. A study in chalk for the Child in the cradle was in the drove of J. P. Heseltine, London, and is now in the collection of H. Oppenheim, London; reproduced by Lippmann, No. i883. Engraved past J. Vendramini, 1836; past J. Sanders in outline in F. Labenski, Description de I'Ermitage, i. 28. Etched by N. Mossoloff in Les Rembrandts de l' Ermitage. Lithographed by H. Robillard in Gohier Desfontaines and P. Petit, Galerie de l' Ermitage, i. four. Mentioned past Vosmaer, pp.262, 537; by Bode, pp.474, 599; by Dutuit, p.38; by Michel, pp.299, 566 [228-9, 441]; by Waagen, The Pic Gallery of the Hermitage, p.177. Auction. Adriaen Bout, The Hague, August 11, 1733 (Hoet, i. 390), No. 81 (150 florins); said to mensurate 43 i/ii inches by 55 inches. In the Crozat collection, Paris; bought for the Hermitage by the Empress Catherine two. In the Hermitage Palace, Petrograd, 1901 catalogue, No. 796 [said by Sm. in 1836 to exist well worth £2100]." [one]

Unusual portrayal in abode setting

The baby Jesus is wearing a skull-cap with band known as a valhoed and he is propped up with cushions into a sitting position as was customary at that time Harmensz van Rijn Rembrandt - Sviatoe semeistvo - Google Art Project (cropped for mother and child).jpg
The baby Jesus is wearing a skull-cap with band known as a valhoed and he is propped upward with cushions into a sitting position as was customary at that fourth dimension

Rembrandt portrays the Holy Family unit every bit a typical family of Amsterdam in his twenty-four hours. In the foreground Jesus is asleep in the aforementioned style of wicker crib that can be seen in catamenia paintings of mothers with babies by Pieter de Hooch. Mary looks up from her book to take a peek at the sleeping kid under the crib curtain (Dutch: klamboe). In the background Joseph is working on making a yoke.The yoke refers both to the coming of the Lord according to Isaiah ("For the yoke of their burden, and the bar beyond their shoulders, the rod of their oppressor, you have broken every bit on the twenty-four hours of Midian"), equally well as the words of Jesus co-ordinate to Matthew the Apostle ("Come up to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in eye, and you will find rest for your souls, for my yoke is easy and my brunt is light").

Other "Holy Family" paintings by Rembrandt or his school are:

Related Research Manufactures

<i>The Factory</i> (Rembrandt)

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Dirck Pesser

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<i>Former Homo with a Gilt Concatenation</i>

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<i>Adult female Lacing Her Bodice Beside a Cradle</i>

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<i>Portrait of Jan Six</i>

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<i>Portrait of Catharina Hooghsaet</i>

Portrait of Catharina Hooghsaet (1607–1685) is a 1657 painting by the Dutch Gilt Age painter Rembrandt.

<i>Portrait of Maria Trip</i>

Portrait of Maria Trip (c.1639) is an oil on panel painting by the Dutch painter Rembrandt. Information technology is an case of Dutch Golden Age painting and is now in the collection of the Rijksmuseum.

<i>St. Matthew and the Angel</i>

St. Matthew and the Angel is an oil on canvas painting by the Dutch landscape painter Rembrandt. It is an instance of Dutch Golden Historic period painting and is at present in the drove of the Louvre.

<i>The Kitchen Maid</i> (Rembrandt)

The Kitchen Maid (1651) is an oil on canvas painting by the Dutch painter Rembrandt. It is an example of Dutch Gilt Age painting and is now in the collection of the Nationalmuseum, Stockholm, Sweden.

<i>The Abduction of Ganymede</i>

The Abduction of Ganymede is a 1635 oil painting of Ganymede by the Dutch Golden Historic period painter Rembrandt in the collection of the Staatliche Kunstsammlungen Dresden.

<i>The Stone Bridge</i>

The Stone Bridge is a 1637 mural painting by the Dutch Golden Age painter Rembrandt in the drove of the Rijksmuseum.

Lucretia (Rembrandt, 1664)

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<i>Caput of Christ</i> (Rembrandt, New York)

Caput of Christ is a 1650s painting by Rembrandt's workshop. It shows Christ with a beard and long dark pilus. It is in the collection of the Metropolitan Museum of Fine art.

<i>Portrait of a Woman, probably a Member of the Van Beresteyn Family</i>

Portrait of a Woman, maybe a member of the Beresteyn family is a 1632 portrait painting by Rembrandt. It shows a woman with an unusually large millstone collar, pendant to Portrait of a Man, probably a Member of the Van Beresteyn Family unit. It is in the drove of the Metropolitan Museum of Art.

<i>Portrait of a Man, probably a Fellow member of the Van Beresteyn Family</i>

Portrait of a Man, possibly a member of the Beresteyn family unit is a 1632 portrait painting by Rembrandt. It shows a human with a lace neckband, which was a new fashion in the 1630s replacing older-styled millstone collars. It is pendant to Portrait of a Woman, probably a Member of the Van Beresteyn Family, and both are in the collection of the Metropolitan Museum of Art.

<i>Portrait of a Human being</i> (Rembrandt, New York)

Portrait of a Man is a c. 1657 portrait painting painted by Rembrandt. It is in the collection of the Metropolitan Museum of Art.

<i>Portrait of a Young Adult female with a Fan</i>

Portrait of a Immature Woman with a Fan is a 1633 portrait painting by Rembrandt. It shows a woman property a fan, pendant to Portrait of a Man Ascension from His Chair. It is in the collection of the Metropolitan Museum of Art.

<i>Portrait of a Adult female Wearing a Aureate Concatenation</i>

Portrait of a Woman Wearing a Gilded Chain is a 1634 portrait painted by Rembrandt. It shows a smiling adult female with a triple lace collar. It is in the collection of the Museum of Fine Arts, Boston.

<i>Portrait of Petronella Buys</i>

Portrait of Petronella Buys (1610–1670) is a 1635 portrait painting painted by Rembrandt. Information technology shows a young woman with a very large and impressive millstone neckband. It is in a private collection.

References

  1. Entry 94 for ''The Holy Family unit with Angels in Hofstede de Groot, 1915
  • 72. The Holy Family in Smith'due south catalogue raisonné of 1836
  • The Holy Family with Angels in the RKD
  • The Holy Family with Angels, in the Hermitage website

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Source: https://WikiMili.com/en/The_Holy_Family_with_Angels

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